With his parental legacy of classical music, a wall full of degrees from prestigious learning institutions and a heightened profile…

Composer Charlie Clouser recalls first hearing the temp score for Saw. “Ministry was playing out of one speaker and Einsturzende Neubauten out of the other. You rarely hear a temp score that out of control: one drum beat in the left speaker, one in the right, at different tempos.” Clouser… more