As a songwriter, Shakira forges her quirky, poetic lyrics into hook-driven Latin anthems. A canny pop sensibility is underscored by hypnotic Middle Eastern rhythms with ancestral roots; legend has it that she first heard the doumbek — a drum that accompanies belly dancing — at her Lebanese father’s favorite restaurant. While these rhythms allegedly inspired her to gyrate on the table to instant acclaim, the nuns at her parochial school were less enthralled with her talents, denying her a spot in the choir because of an insistent vibrato that they declared made her “sing like a goat.”

Fortunately, the professional music industry was more impressed, but initially the record buying public was unmoved. Shakira’s 1991 debut, released when she was only 15 (she had written her first song at age eight), garnered a less-than-stellar response. When the follow-up didn’t fare much better, Shakira returned to finish high school. But eventually experience and tenacity paid off: Powered by “Estoy Aquí”, “¿Dónde Estás Corazón?”, and the song that defined the title, “Pies Descalzos, Sueños Blancos,” her third studio release, Pies Descalzos, caught fire, selling over five million copies, while a remix album, titled simply The Remixes, moved an additional million copies. Her fourth album, ¿Dónde Están Los Ladrones?, produced by Miami mastermind Emilio Estefan, solidified her position as a preeminent Latin artist.

In 2001, Shakira designed the blueprints for her crossover. Collaborating with Gloria Estefan, she wrote and recorded English versions of the tracks from ¿Dónde Están Los Ladrones? and penned new material for the album, titled Laundry Service. Although created for the English-language market, the rock and Spanish dance-influenced album also featured four Spanish songs, including “Que Me Quedes Tú” (That I Have Left You). Laundry Service cleaned up, with more than 13 million sales worldwide, a massive worldwide hit, “Whenever, Wherever,” and singles “Underneath Your Clothes,” “Te Dejo Madrid” (I Leave You Madrid), “Objection (Tango)” and “The One.” The album and its singles substantiated Shakira’s sway in the mainstream North American market.

Shakira also delivered her Spanish greatest hits volume, Grandes Éxitos, in 2002 and won the International Viewer’s Choice Award at the MTV Video Music Awards with “Suerte.” Five additional MTV Video Music Awards followed as the crossover strategy continued; for Aerosmith’s MTV Icon Award, Shakira performed “Dude (Looks Like A Lady)” and she joined Celine Dion, Anastacia, Cher and the Dixie Chicks for “VH1 Divas Live: Las Vegas.” A DVD and ten-track compilation album, Live & Off the Record, was also released in 2004, commemorating Shakira’s “Tour of the Mongoose.”

Following this massive media presence, Shakira retreated from the spotlight until revealing the bilingual Oral Fixation concept. Fijación Oral Vol. 1, with songs in Spanish, was released in 2005 as the lead single, “La Tortura,” featuring Alejandro Sanz, spent a record 25 weeks at number one on the Billboard Hot Latin Tracks chart. Selling 157,000 copies in its first week of release in the U.S., it was the highest debut ever for a Spanish-language album. In Latin America, on the day of its official release in Venezuela, it went platinum; in Colombia, triple-platinum, and in Mexico, it was sold-out as the album moved a monumental million units in three days.

Oral Fixation Vol. 2, with songs in English, was released later the same year and sold a resounding eight million copies. Two tracks from the album, “How Do You Do” and “Timor,” sparked controversy, allegedly over themes questioning faith, and the CD cover, revealing Shakira’s considerable physical attributes, also had to be altered in several territories. This sensual side of the artist was equally evident on “Hips Don’t Lie” (with special guest Wyclef Jean), her first number one single on the U.S. Billboard Hot 100 and UK Singles Charts. Shakira was subsequently awarded the highest number of MTV Video Music Award nominations for the electrifying video that accompanied the song.

With the success of their previous duet, Shakira and Alejandro Sanz once again teamed up for “Te lo Agradezco, Pero No,” featured on Sanz’s El Tren de los Momentos. Tapping another music icon, Shakira released the single “Illegal,” featuring Carlos Santana, a major hit on both the Hot Dance Music/Club Play and Hot Dance Airplay charts and in Europe.

In early 2007, Shakira paired with Beyoncé Knowles on “Beautiful Liar,” from the deluxe edition of Beyoncé’s B’Day. The single soared an unprecedented 91 positions, from 94 to 3, on the Billboard Hot 100 chart, setting the record for the most rapid ascent in the history of the chart.

Another side of Shakira was revealed when she founded Fundación Pies Descalzos, a Colombian charity with special schools for impoverished children. Honored at a United Nations ceremony, she pointedly observed: “Let’s not forget that at the end of this day when we all go home, 960 children will have died in Latin America.” Shakira is also a Goodwill Ambassador for UNICEF and she performed “Whenever, Wherever” and “La Tortura” on the Live 8 benefit concert at the Palace of Versailles, France.

While an immense international presence is confirmation of Shakira’s global stardom, at the heart of her magic are the songs: rich with purpose, promise and personality. In the Arabic language, the two-time Grammy and eight-time Latin Grammy Award-winning singer’s name might be interpreted as either “full of gratitude” or “full of grace.” Either way, it’s the perfect description for an inspiring star of dazzling magnitude.

Songwriter Of The Year Accolades Go To Wisin & Yandel, Francisco Saldaña “Luny” And Manuel Eduardo Toscano

‘La Tortura’ Takes Song Of The Year And Ringtone Of The Year Awards; EMI-Blackwood Music Inc. Named Latin Publisher Of The Year

BMI held its 14th annual Latin Music Awards tonight, with top honors going to BMI Icons Los Tigres del Norte; Songwriters of the Year Juan Luis Morera Luna and Llandel Veguilla Malavé of duo Wisin & Yandel, songwriter/producer Francisco Saldaña “Luny” of producing duo Luny Tunes and corrido master Manuel Eduardo Toscano (SACM); Song of the Year “La Tortura” written by Shakira and Luis F. Ochoa; and Publisher of the Year EMI-Blackwood Music, Inc. Hosted by BMI President & CEO Del Bryant and Assistant Vice President, Latin Music, Delia Orjuela, the awards were held at the Venetian Resort Hotel in Las Vegas. The black-tie dinner honored the writers and publishers of the past year’s 50 most performed Latin songs on U.S. radio and television.

A highlight of the evening was the presentation and musical tribute to legendary norteño group Los Tigres del Norte. Honored as Icons, they were presented silver BMI Icon buckets for their “unique and indelible influence on generations of music makers.” The longest-running and most influential Norteño music group in the history of the genre, “Los Jefes de Jefes” (“the bosses of the bosses,” the nickname affectionately given to them by their loyal fans) are renowned for their “corridos,” which depict timeless stories of the Mexican people and culture as well as the lives and struggles of Hispanic immigrants in the United States. They join an elite list of previous BMI Icons that includes Juan Luis Guerra, Carlos Santana, Crosby, Stills & Nash, James Brown, Dolly Parton and Brian Wilson.

The group was honored with an all-star musical tribute. Mexican pop singer Reyli performed “La Puerta Negra,” Regional Mexican singer-songwriter Mariano Barba covered “Ya Te Velé” and Latin pop singer Christian Castro belted out “Golpes En El Corazón.” Los Tigres themselves also jumped up onstage to perform a medley of their songs for the standing-room-only house.

BMI’s Songwriter of the Year title was a four-way tie, shared by Wisin & Yandel’s Juan Luis Morera Luna and Llandel Veguilla Malavé; Francisco Saldaña “Luny” of production duo Luny Tunes; and Manuel Eduardo Toscano. The four-way tie represents the first BMI Latin Award for each member of this elite cross-section of Latin hit-makers. To earn this honor, all four writers contributed three songs to the top 50. The Puerto Rican Reggaetón duo Wisin & Yandel and acclaimed producer “Luny” of Luny Tunes co-wrote “Llamé Pa’ Verte ‘Bailando Sexy’,” “Mayor Que Yo” and “Rakata,” which were all hits for Wisin & Yandel. Premier Mexican songwriter Manuel Eduardo Toscano’s award-winning corridos — “La Sorpresa,” “Señor Locutor” and “Socios” — were signature hits for Icons Los Tigres del Norte.

“La Tortura” took home BMI Song of the Year and the inaugural BMI Latin Ringtone of the Year honors for its two songwriters—international superstar Shakira and Luis F. Ochoa. “La Tortura” is Shakira’s second Song of the Year win; “Suerte,” which she also co-wrote and performed, snagged the honor in 2002.

With nine songs among the year’s top 50, EMI-Blackwood Music, Inc. nabbed its first Latin Publisher of the Year award. Songs including “Algo Está Cambiando,” “Enséñame A Olvidar,” “Llamé Pa' Verte ‘Bailando Sexy’,” and “Rakata” catapulted EMI-Blackwood to the top.

The ceremony also featured the presentation of the BMI Foundation's fourth annual peermusic Latin Scholarship to Berklee College of Music student Daniel F. Díaz. The 23 year-old Mexico native will receive a $5,000 scholarship for his song “Todo Lo Que Necesito.” Established by the BMI Foundation and funded by the generosity of the peermusic publishing companies, the scholarship is awarded annually through a competition for original Latin songs and instrumental compositions. The 2007 competition was open to college students throughout the U.S. and Puerto Rico.

Some of the night’s other big winners included songwriters Josias De La Cruz “Nely,” Don Omar, Ramón Ortega Contreras (SACM), Martha “Ivy Queen” Pesante, Shakira and Ricky Vela, all boasting two awards each. “No Me Queda Más,” written by Ricky Vela, took home its third BMI Latin Award, while “¿Qué Me Vas A Dar?,” composed by Alfonso García Santillana (SACM) and Ramón Ortega Contreras (SACM), took home its second honor.

Publishers claiming two or more songs among the top 50 were SER-CA Publishing, Inc., Tigres Del Norte Ediciones Musicales, Universal-Música Única Publishing, Warner-Tamerlane Publishing Corp., Blue Kraft Music Publishing, Editora Arpa Musical, Peer International Corp./peermusic III, Aniwi Music LLC, LGA Music Publishing, Lone Iguana Music, Mexican Music Copyright, Inc. and Songs of Univision, Inc.

FOUR AWARDS
Red Hot Chili Peppers
Best Rock Performance by Duo or Group with Vocal
Best Rock Song
Best Rock Album
Best Boxed or Special Limited Edition Package

TWO AWARDS
George Benson
Best Pop Instrumental Performance
Best Traditional R&B Vocal Performance

Michael Brecker
Best Jazz Instrumental Solo
Best Large Jazz Ensemble Album

Chick Corea
Best Jazz Instrumental Album, Individual or Group
Best Instrumental Arrangement

The Flaming Lips
Best Rock Instrumental Performance
Best Engineered Album, Non-Classical

Kirk Franklin
Best Gospel Song
Best Contemporary R&B Gospel Album

Gnarls Barkley
Best Alternative Music Album
Best Urban/Alternative Performance

John Legend
Best Male R&B Vocal Performance
Best R&B Performance by a Duo or Group with Vocals

T.I.
Best Rap Solo Performance
Best Rap/Sung Collaboration

Carrie Underwood
Best New Artist
Best Female Country Vocal Performance

John Williams
Best Score Soundtrack Album
Best Instrumental Composition

OTHER WINNERS
Yolanda Adams
Best Gospel Performance

Pepe Aguilar
Best Mexican/Mexican-American Album

Christina Aguilera
Best Female Pop Vocal Performance

Chente Barrera y Taconazo
Best Tejano Album

The Black Eyed Peas
Best Pop Performance by Duo or Group with Vocal

Randy Brecker
Best Large Jazz Ensemble Album

T Bone Burnett
Best Compilation Soundtrack Album

Enya (PRS)
Best New Age Album

Peter Erskine
Best Large Jazz Ensemble Album

Béla Fleck & the Flecktones
Best Contemporary Jazz Album

Dave Fridmann
Best Engineered Album, Non-Classical

Bob Gaudio
Best Musical Show Album

Vince Gill
Best Male Country Vocal Performance

Osvaldo Golijov
Best Classical Contemporary Composition

Bill Harley
Best Spoken Word Album for Children

Van Hunt
Best R&B Performance by a Duo or Group with Vocals

Israel & New Breed
Best Traditional Gospel Album

Al Jarreau
Best Traditional R&B Vocal Performance

Klezmatics
Best Contemporary World Music Album

Krayzie Bone
Best Rap Performance by a Duo or Group

Will Lee
Best Large Jazz Ensemble Album

The Bryan Lynch/Eddie Palmieri Project
Best Latin Jazz Album

Maná
Best Latin Rock, Alternative or Urban Album

OK Go
Best Short Form Music Video

Joss Stone (PRS)
Best R&B Performance by a Duo or Group with Vocals

Jimmy Sturr and His Orchestra
Best Polka Album

Irma Thomas
Best Contemporary Blues

Los Tigres Del Norte
Best Norteño Album

Ike Turner
Best Traditional Blues Album

Julieta Venegas
Best Latin Pop Album

Doc Watson
Best Country Collaboration with Vocals

Pharrell Williams
Best Rap Song

Wolfmother (APRA)
Best Hard Rock Performance

With five wins out of five nominations, the country trio shook off the anti-Bush backlash and took the stage to pick up three of the night’s top awards—Record and Song of the Year for “Not Ready to Make Nice” and Album of the Year for Taking the Long Way—as well as Best Country Performance by a Duo or Group with Vocal and Best Country Album.

Funky foursome the Red Hot Chili Peppers, whose Stadium Arcadium double-disc set was named Best Rock Album, took home a total of four trophies that also included Best Rock Song for the album’s single, “Dani California.”

American Idol alum Carrie Underwood came in with two, winning the coveted Best New Artist Grammy as well as Best Female Country Vocal Performance for her inspirational hit, “Jesus, Take the Wheel.”

Other double winners included “Crazy” duo Gnarls Barkley, Atlanta rapper T.I., neo-soul artist John Legend, r&b crooner George Benson, celebrated film composer John Williams and the late sax player Michael Brecker, who died Jan. 13.

Jazz innovator Al Jarreau joined Benson on the Best Traditional R&B Vocal Performance win with their duet “God Bless the Child,” while gospel singer Yolanda Adams earned the Best Gospel Performance statuette for Victory. Singer Christina Aguilera‘s “Ain’t No Other Man” reeled in the Grammy for Best Female Pop Vocal Performance.

Also on the BMI winners list were soon-to-be BMI Icons Los Tigres del Norte, who won Best Norteño Album with their release, Historias Que Contar; Irish singer Enya (PRS), whose CD Amarantine was named Best New Age Album; country superstar Vince Gill, who picked up his 18th Grammy Award with a Best Male Country Vocal Performance win for “The Reason Why”; and heavy-hitters Wolfmother (APRA), whose song “Woman” earned the Best Hard Rock Performance trophy.

The Recording Academy also honored Eagles’ member Don Henley as the 2007 MusiCares Person of the Year during a gala dinner, concert and auction held at the Los Angeles Convention Center on Feb. 9, two days prior to the Grammy ceremony. Proceeds from the star-studded event went to MusiCares’ Financial Assistance Program, which assists musicians and others in times of financial, medical and personal need.

Red Hot Chili Peppers	James Blunt	Chris Brown

Nods for the California-based foursome include Album of the Year and Best Rock Album for their Stadium Arcadium set, along with Best Rock Song and Best Rock Performance for the single "Dani California."

Corinne Bailey Rae	Carrie Underwood	Dixie Chicks

Also topping the BMI nominee list was James Blunt (PRS), who is up for five Grammys including Record and Song of the Year for his smash "You're Beautiful." The angel-voiced singer also hopes to add a Best New Artist Grammy to his growing list of awards and faces other BMI newcomers Chris Brown, Corinne Bailey Rae and Carrie Underwood.

will.i.am	John Williams	Gnarls Barkley

Israel Houghton	T.I.

Country trio the Dixie Chicks and Black Eyed Peas member will.i.am also took home five nominations each, with mentions in the Best Country Album and Producer of the Year categories, respectively. The in-demand producer's handful of potential Grammys includes two for himself and two with BEP, as well as one as part of the Jawbreaker production team that worked on Justin Timberlake's Album of Year entry, FutureSex/LoveSounds.

Gnarls Barkley, whose hit "Crazy" will battle for the coveted Record of the Year title, earned a total of four mentions, as did gospel giant Israel Houghton and Atlanta rapper T.I., who will vie for the Best Rap Song ("What You Know") and Best Rap Album (King) trophies. Celebrated film composer John Williams was also a four-time nominee and will compete against himself in both the movie score and instrumental composition categories.

Other big BMI names on the Grammy nominees list were Christina Aguilera, The Racontuers, Jamie Foxx, Calle 13, Jim McNeely, Death Cab for Cutie, Mos Def, Rascal Flatts, Donald Lawrence, Julieta Venegas (SGAE), Harry Gregson-Williams and Rosanne Cash.

Click here for a complete list of BMI Grammy nominees.

Ecstatic critical reviews and enthusiastic fan response make it clear that the latter is the answer. Fueled by the success of the chart-topping single “Dani California,” the Chili Peppers’ long-awaited Stadium Arcadium entered the pop charts at No. 1, making it the highest-charting album of the band’s career. Produced by Rick Rubin (Beastie Boys, Dixie Chicks, Johnny Cash), and recorded at the same Los Angeles mansion-turned-studio where they conducted the Blood Sugar Sex Magik sessions, Stadium Arcadium finds vocalist Anthony Kiedis, bassist Flea, guitarist John Frusciante and drummer Chad Smith broadening their musical palette to include hints of classic rock, folk, and even spiritualized pop.

The double-disc set inspired a veritable storm of adoring reviews. In its four-star critique, Rolling Stone called the album, “the most ambitious work of (the band’s) twenty-three-year career…a late-career triumph that could pass for another, lesser group’s greatest-hits collection.” Blender described the effort as an “elegant… surprising double-disc set… this is virile and excited music.” The discerning and often restrained BBC called Stadium Arcadium a “multi-faceted must,” while declaring the Chili Peppers “card-carrying Rock Gods.”

The band itself might agree with such assertions. In the official Stadium Arcadium biography, guitarist Frusciante touts the life-affirming power of the Peppers’ potent new songs. “If you let go and let this music take you by the hand it will take you flying through skies of sound,” Frusciante writes. “It will zoom you up well above outer space and it will show you around planes of existence that do not share the laws and conditions of this reality.”

As befits a band from Los Angeles, the Chili Peppers’ story reads like a Tinseltown melodrama. Emerging in 1984, the foursome became world-renowned for their righteous reconciliation of bump-and-grind funk, raw-nerved post-punk and mischievous pop. But their climb to the top wasn’t easy. Following the 1988 demise of founding guitarist Hillel Slovak from a drug overdose, the band recruited Frusciante. But as Kiedis recounts in his 2004 autobiography, “Scar Tissue” (Hyperion Publishers), the band wrestled with lingering problems.

The problems came to a head in 1992, just as hit singles like “Give It Away,” “Under the Bridge” and “Breaking the Girl” were transforming the Chili Peppers from underground heroes to nuevo-rock sensations. With scant advance notice, Frusciante quit the band and Kiedis, Flea and Smith soldiered on with several replacement guitarists, including Jane’s Addiction guitarist Dave Navarro (featured on the Chili Peppers’ 1995 album, One Hot Minute). But Navarro’s tenure was short-lived, and the band welcomed Frusciante back to the fold in 1998.

The Peppers have been on a roll ever since, with Kiedis and Flea becoming as iconic in their L.A. hometown as the Hollywood sign. Either together or separately they have appeared in a host of movies, including Back to the Future II, The Big Lebowski, The Chase and Fear and Loathing in Las Vegas. Flea plays the voice of Donnie Thornberry on the Nickelodeon animated series, The Wild Thornberrys.

Yet despite their occasional film appearances, music remains the Chili Peppers’ main inspiration. Judging by their remarkable track record — the band has sold over 50 million recordings worldwide — fans wouldn’t have it any other way.]]> 2006-10-05T18:00:01-05:00 http://www.bmi.com/news/entry/334854 Artists, Dixie Chicks, Sharp, Maia, Musical Styles, Rock Maia Sharp performed songs from her latest Koch Records release, Fine Upstanding Citizen, during dinner at Journal Broadcast Group's management meeting held recently in Milwaukee, Wis.

Pictured after the performance are Journal Broadcast Group SVP & CFO Ron Kurtis, BMI's Michelle Mazzara, BMI songwriter Maia Sharp, Journal Broadcast Group Vice Chairman & CEO Doug Kiel and Journal Broadcast Group EVP of Radio & Television Operations Carl Gardner

The daughter of BMI Award-winning country songwriter Randy Sharp, Maia has had her songs cut by such artists as Bonnie Raitt, the Dixie Chicks, Trisha Yearwood and Cher.]]> 2006-06-20T18:00:00-05:00 http://www.bmi.com/news/entry/334819 Artists, Allen, Harley, Anderson, Bill, Big & Rich, Braddock, Bobby, Daniels, Charlie, Dixie Chicks, Dunn, Ronnie, Gill, Vince, Haggard, Merle, Howard, Harlan, Kristofferson, Kris, Lonestar, Loudermilk, John D., Lynn, Loretta, Maguire, Martie, McDonald, Richie, Miller, Roger, Overstreet, Paul, Parton, Dolly, Shapiro, Tom, Sherrill, Billy, Steele, Jeffrey, Twain, Shania, Verges, Troy, Musical Styles, Country country music's oldest awards celebration. Staged at the company's Music Row offices, the black-tie, invitation-only event spotlights the 50 most performed songs of the previous year.

Citations of Achievement will be presented to the writers and publishers of the top 50 country songs, with the evening's highest honors going to BMI's Songwriter of the Year, Publisher of the Year and Most Performed Country Song of the Year (the Robert J. Burton Award).

The evening will culminate in a tribute to a new BMI Icon, acknowledging songwriters who have had "a unique and indelible influence on generations of music makers." Past BMI Icons from the country music community include Loretta Lynn, Bill Anderson and Dolly Parton, and most recently, Charlie Daniels.

Among the distinguished talents who have previously been crowned BMI Country Songwriter of the Year are last year's winners Harley Allen, Big & Rich's Big Kenny and Lonestar frontman Richie McDonald, and previous winners Harlan Howard, Don Gibson, Roger Miller, John D. Loudermilk, Kris Kristofferson, Merle Haggard, Dennis Morgan, Paul Overstreet, Vince Gill, Shania Twain, Tom Shapiro, Troy Verges, Dixie Chick Martie Maguire, Ronnie Dunn, Jeffrey Steele, Bobby Braddock and eight-time victor Billy Sherrill.]]> 2006-05-22T18:00:00-05:00 http://www.bmi.com/news/entry/334757 Artists, Dixie Chicks, Lynn, Loretta, Parton, Dolly, Rascal Flatts, Underwood, Carrie, Urban, Keith, Williams Jr., Hank, Musical Styles, Country Carrie Underwood. The 2005 American Idol winner was the only artist to take home more than one of the fan-voted CMT Music Awards on April 10, winning both Breakthrough Video of the Year and Female Video of the Year for "Jesus, Take the Wheel."

Carrie Underwood	Rascal Flatts

Superstar and perennial fan favorite Keith Urban snagged Video of the Year honors for "Better Life," the only award viewers voted on during the actual broadcast.

Keith Urban	Dolly Parton	Hank Williams Jr.

The seemingly unstoppable Rascal Flatts were awarded Group/Duo Video of the Year for the touching "Skin (Sarabeth)," while Most Inspiring Video of the Year went to "When I Get Where I'm Going," which featured the divine harmonies of BMI Icon Dolly Parton.

Each year, the Johnny Cash Visionary Award honors a true pioneer of the country music genre. Past recipients include BMI Icon Loretta Lynn, the Dixie Chicks, Reba McEntire and Johnny Cash himself. This year, BMI living legend Hank Williams Jr. received the illustrious distinction. Williams' staggering list of accomplishments includes worldwide album sales surpassing 50 million and current preparations to release his 70th album this year.

The only awards show whose winners are strictly determined by the fans, the CMT Music Awards celebrate the music videos that capture the imaginations and tug on the heart strings of millions of country music devotees each year.

BMI's 2006 CMT Music Award Winners:

Video of the Year
Keith Urban
"Better Life"

Female Video of the Year
Carrie Underwood
"Jesus, Take the Wheel"

Group/Duo Video of the Year
Rascal Flatts
"Skin (Sarabeth)"

Breakthrough Video of the Year
Carrie Underwood
"Jesus, Take the Wheel"

Most Inspiring Video of the Year
"When I Get Where I'm Going"
featuring Dolly Parton

Johnny Cash Visionary Award
Hank Williams Jr.