When pressed, Fats softly declares undying admiration for Presley. “I like Elvis myself,” Domino says over the phone from his New Orleans residence. “So does everybody.” With a humble air that warmly wraps around each of his concessions, Fats says he was simply “lucky” such songs as “I’m Walkin’” and “Blueberry Hill” allowed him to support his family.

The man’s authentic modesty is awe-inspiring, especially when Fats could argue he doesn’t get enough credit for creating the rock-&-roll sound. His induction into the 1986 inaugural Rock and Roll Hall of Fame class prompted more comparisons to the Memphis boy who would be king: The Hall notes that Fats Domino “sold more records (65 million) than any other Fifties-era rocker except Elvis Presley.”

In fact, any query about who “started” rock & roll could be answered by taking roll call of that class. In addition to Fats and Elvis, 1986 alumni include Buddy Holly, Chuck Berry, James Brown, Little Richard, Jerry Lee Lewis, Ray Charles, Sam Cooke and the Everly Brothers.

The man the musicians themselves look to as the architect of rock sounds is, perhaps, most telling. “Elvis called Fats the ‘King of Rock ‘n’ Roll.’ Bob Marley said reggae started with Fats Domino,” says r&b scholar Rick Coleman, author of the 2006 biography “Blue Monday: Fats Domino and the Lost Dawn of Rock ‘n’ Roll.”

Evidence of his importance can be found on Vanguard Records’ new double-CD set, Goin’ Home: a Tribute to Fats Domino, which benefits Tipitina’s Foundation, a non-profit foundation dedicated to musical rebirth in the Crescent City.

On the tribute album, Paul McCartney sings “I Want to Walk You Home” and his Beatles mate John Lennon sings “Ain’t That a Shame.” The Fab Four’s 1968 “Lady Madonna” is homage to Domino. That same year, Fats cut his own version, marking his last appearance in the Billboard Top 100 pop singles.

Other iconic contributors to Goin’ Home include Elton John performing “Blueberry Hill,” B.B. King’s “Goin’ Home,” Tom Petty and the Heartbreakers’ “I’m Walkin’,” Robert Plant’s “It Keeps Raining” and Willie Nelson’s “I Hear You Knockin’.”

The emotional peak comes with Neil Young’s “Walking to New Orleans,” which he sang at a Katrina fund-raising concert. Fats’s version, released June 1, 1960, was his last Top 10 pop hit. A potent string of wonder and musical history preceded that nostalgic song.

On Dec. 10, 1949, Fats Domino cut eight tracks at Cosimo Matassa’s J&M Studios. Among them: “The Fat Man,” often called “the first rock & roll song.”

Domino’s songbook also includes “All By Myself,” “Be My Guest,” “Bo Weevil,” “Don’t Blame It On Me,” “Every Night About This Time,” “Let the Four Winds Blow,” “Going to the River,” “My Girl Josephine,” “I’m in Love Again,” “Please Don’t Leave Me,” “Poor Me,” “So Long,” “Something’s Wrong,” “Three Nights a Week,” “Valley of Tears” and “Whole Lotta Loving.’’ In Fats’s fashion, the man is quick to share credit with co-writer and producer Dave Bartholomew.

While the music is universally present, Fats had settled in to a peaceful life with family and dear friends, flying contentedly below the world’s contemporary radar — until Katrina nearly killed him. The musician and his family chose to ride out the storm in their home in the Lower 9th Ward, the working-class neighborhood where he grew up. As helicopters plucked victims off roofs, there were media reports Fats was missing. That fear ended with the publication of a New Orleans Times-Picayune photo of Domino being helped off a boat after being rescued from his house.

Like almost everyone in the Lower 9th, he lost everything. But Fats says, “I ain’t missed nothing, to tell you the truth, and I was able to replace what I lost.” Today, he and his family live in a West Bank suburb, while their home is being rebuilt.

Thanks in large part to Tipitina’s Foundation, Fats Domino has become the quintessential face of New Orleans’ rebirth. The foundation is an offshoot of the New Orleans music venue. “Before the storm, our programs were designed to uplift the music culture of New Orleans,” says Bill Taylor, executive director. ”Since Katrina, it’s about saving that same culture.”

In May of 2007, Fats tore through an exhilarating 32-minute set at Tipitina’s. Proceeds benefited the foundation’s drive to provide musical instruments to New Orleans public schools, and to help musicians recover. Profits from the Goin’ Home tribute will also go to Tipitina’s Foundation. Twenty-five percent of monies earned at that red-letter show went toward the restoration of Fats’ Lower 9th home. In addition to helping Domino rebuild, funds will also fuel the construction of a Lower 9th community center and other programs aimed at lifting the neighborhood.

Haydee Ellis, the longtime family friend who helped orchestrate the concert and album, says her experiences recruiting talent for Goin’ Home demonstrate the appreciation artists have for Fats. “I talked to Randy Newman. . . . I said ‘we would enjoy your participation on this album’.” Newman, who performs “Blue Monday,” emphatically told her, “I’d love to. I’ve been stealing from Fats for years.”

The event was held on May 10th at the Cook Convention Center in Memphis, Tennessee before an enthusiastic crowd. In addition to the awards ceremony, more than25 performances by leading blues musicians took place over nearly 8 hours of dynamic entertainment.

The evening’s top winner of the night was Memphis native son and harmonica wizard Charlie Musselwhite. His current release, Delta Hardware, won Album of the Year and Traditional Blues Album of the Year, while the track “Church Is Out” was named Song of the Year; Musselwhite won Best Instrumentalist –Harmonica as well.

Other multiple winners included two Louisiana leading lights: Big Easy vocalist Irma Thomas won Soul Blues Female Artist of the Year and Soul Blues Album of the Year for her current release, After the Rain. Guitarist Tab Benoit took home Contemporary Blues Artist of the Year and B.B. King was named Entertainer of the Year. Both Thomas and Benoit spoke of the on-going need for support of those in their home state, still devastated by the aftermath of Hurricane Katrina.

The complete list of winners follows. For further information on the Blues Music Awards and the Blues Foundation consult http://www.blues.org

2007 Blues Music Awards Recipients

Charlie Musselwhite
Album of the Year: Delta Hardware
Traditional Blues Album of the Year: Delta Hardware
Song of the Year: “Church Is Out”
Instrumentalist: Harmonica

Irma Thomas
Soul Blues Album of the Year: After the Rain
Soul Blues Female Artist of the Year

Tab Benoit
B. B. King Entertainer of the Year
Contemporary Blues Male Artist of the Year

Jerry Lee Lewis
Comeback Album of the Year: Last Man Standing

Robert Lockwood, Jr.
Traditional Blues Male Artist of the Year

Etta James
Traditional Blues Female Artist of the Year

David “Honeyboy” Edwards
Acoustic Blues Artist of the Year

Rory Block
Acoustic Blues Album of the Year: The Lady and Mr. Johnson

Marcia Ball
Pinetop Perkins Piano Player of the Year

Bobby Rush
Soul Blues Male Artist of the Year

John Lee Hooker
Historical Album of the Year: Hooker

Guitar Shorty
Contemporary Blues Album of the Year: We The People

Janiva Magness
Contemporary Blues Female Artist of the Year

Hubert Sumlin
Instrumentalist: Guitar

Willie “Big Eyes” Smith
Instrumentalist: Drums

Eddie Shaw
Instrumentalist – Horn

Robert Randolph
Instrumentalist – Other

Slick Ballinger
Best New Artist Debut Album

Lil’ Ed & the Blues Imperials
Band of the Year

Charlie Musselwhite	Nick Moss	Guy Davis

Leading the list of BMI blues giants was harp player Charlie Musselwhite, who took home an impressive five nominations that included Album of the Year and Traditional Blues Album of the Year for his acclaimed Delta Hardware, as well as Song of the Year for "Church Is Out."

Irma Thomas	Big George Brock	Bobby Rush

Guitarist Nick Moss and his band the Flip Flops earned four nods, including Band of the Year and an individual mention for Moss in the instrumentalist catagory. Coming in with three nominations apiece were Guy Davis, Lil' Ed, Janiva Magness, Irma Thomas and Big George Brock, who is up for Traditional Blues Male Artist of the Year.

James Hunter	Marcia Ball	Kim Wilson

Double nominees included acoustic blues artist Rory Block, veteran harpist Bobby Rush, British newcomer James Hunter (PRS), singer/pianist Marcia Ball and harmonica master Kim Wilson.

R&B pioneer Ruth Brown, who died Nov. 17, 2006, was posthumously nominated for Traditional Blues Female Artist of the Year, along with singing legend Etta James and Chicago blues vocalist Zora Young.

BMI's 2007 Blues Music Award Nominees

Acoustic Album of the Year
Bob Brozman - Blues Reflex
Guy Davis - Skunkmello
Rory Block - The Lady and Mr. Johnson

Acoustic Artist of the Year
David "Honeyboy" Edwards
Paul Oscher
Rory Block
Guy Davis

Album of the Year
Charlie - Delta Hardware
Irma Thomas - After the Rain
Janiva Magness - Do I Move You?
Nick Moss & the Flip Tops - Live at Chan's

B.B. King Entertainer of the Year
Bobby Rush
Tab Benoit
Lil' Ed

Band of the Year
Lil' Ed & the Blues Imperials
Nick Moss & the Flip Tops
Magic Slim & the Teardrops

Best New Artist Debut
James Hunter (PRS) - People Gonna Talk
Slick Ballinger - Mississippi Soul

Comeback Album of the Year
Chicago Bob Nelson - Flyin' Too High
Jeremy Spencer - Precious Little
Jerry Lee Lewis - Last Man Standing

Contemporary Blues Female Artist of the Year
Marcia Ball
EG Kight
Barbara Blue
Janiva Magness
Shemekia Copeland

Contemporary Blues Album of the Year
Janiva Magness - Do I Move You?
Guitar Shorty - We the People
John Mooney - Big Ol' Fiya

Contemporary Blues Male Artist of the Year
Kim Wilson
Tab Benoit
Guitar Shorty
Ronnie Baker Brooks

Historical Album of the Year
Junior Wells - Live at Theresa's 1975
Hollywood Fats Band - Larger Than Life
Otis Rush - All Your Love I Miss Loving (Live at the Wise Fools Pub
Chicago)
Freddie King - Live at the Electric Ballroom 1974
John Lee Hooker - Hooker

Instrumentalist-Bass
Bob Stroger
Bill Stuve

Instrumentalist-Drums
Willie "Big Eyes" Smith
Richard Innes

Instrumentalist-Guitar
Duke Robillard
Kid Ramos
Lurrie Bell
Nick Moss
Guitar Shorty
Hubert Sumlin

Instrumentalist-Harmonica
Charlie Musselwhite
Kim Wilson
Mark Hummel
Billy Branch
Big George Brock
James Harman
Mitch Kashmar

Instrumentalist-Horn
Deanna Bogart
Kaz Kazanoff
Calvin Owens
Eddie Shaw
Doug James
Greg Piccolo

Instrumentalist-Other
Robert Randolph - Steel Guitar
Otis Taylor - Banjo
Guy Davis - Banjo

Pinetop Perkins Piano Player of the Year
Mitch Woods
Marcia Ball
Floyd Dixon
Henry Butler
Dr. John
Honey Piazza

Song of the Year
"Icicles in My Meat Loaf" - Ed Williams, Lil' Ed & the Blues Imperials
"Church is Out" - Charlie Musselwhite, Charlie Musselwhite
"Baptized in Dirty Water" - Chris Thomas King, Chris Thomas King

Soul Blues Album of the Year
Frankie Lee - Standing at the Crossroads
Irma Thomas - After the Rain
Jackie Payne & Steve Edmonson Band - Master of the Game
Johnny Rawls - Heart & Soul
Calvin Owens Blues Orchestra - I Ain't Gonna Be Your Dog No More
James Hunter (PRS) - People Gonna Talk
Trudy Lynn - I'm Still Here

Soul Blues Female Artist of the Year
Irma Thomas
Trudy Lynn
Sugar Pie DeSanto

Soul Blues Male Artist of the Year
Bobby Rush
Frankie Lee
Mighty Sam McClain
Solomon Burke
Jackie Payne

Traditional Blues Album of the Year
Charlie Musselwhite - Delta Hardware
Nick Moss & the Flip Tops - Live at Chan's
Big George Brock - Round Two

Traditional Blues Female Artist of the Year
Zora Young
Etta James
Ruth Brown

Traditional Blues Male Artist of the Year
Charlie Musselwhite
Robert Lockwood, Jr.
Big George Brock

But devoted followers of the artist called “The Killer” know the score: As a singer, he is so adept and commanding that he gets to the emotional heart of any song he sings, no matter the genre, and carves his personal stamp on any number he performs. As a pianist, he rolls out everything from irresistibly driving boogie-woogie to almost classicist melodic balladry and tosses off stunningly imaginative glissandos with seemingly casual brilliance. And he wrote such iconic No. 1 hits as “Great Balls of Fire” and “Whole Lotta Shakin’ Goin’ On.” His mastery on stage prompted Roy Orbison to rightly describe Lewis as “the best raw performer in rock & roll.” Hence, few, if any, musical talents are as deserving of the career revival that has been sparked by Last Man Standing (which will be followed by more albums and a television special).

Raised in Ferriday, La., where he learned to play alongside his piano-pounding cousins Mickey Gilley and the Rev. Jimmy Swaggart, Lewis released his first record — a rollicking version of the Ray Price hit “Crazy Arms” — in 1957. He was soon topping the charts and causing a sensation with his onstage antics of kicking back his piano stool, sliding his leg down the piano keys and, on occasion, setting his piano on fire to end his show with a flourish.

His run at the top was derailed in 1958 when it was revealed that he was married to his 13-year-old cousin Myra Gale. But Lewis kept on performing and recording, returning to the charts in the 1960s and ’70s as a country artist. He continued to create an unparalleled body of work and, on his best nights, perform shows that were both thrilling and moving. In 1989, Dennis Quaid portrayed Lewis in the biopic Great Balls of Fire, for which Lewis performed his music.

At the 2005 Grammy Awards, Lewis was given a Lifetime Achievement award. Now, Last Man Standing continues those achievements, bringing Lewis back into the upper reaches of the charts, including a two-week run atop Billboard’s Indie chart.

And as his talent gets the recognition he has long deserved, Lewis has set aside his rowdy ways. “Age has tamed me,” he says.