(Front row, L-R): Michael Bush, BMI’s Jean Banks, Jane Smulyan, Randy Klein, Kristin Maloney, Adam Matthias, Rick Freyer, Raymond Bokhour, Phoebe Kreutz, David Spencer, Robert Yarnall, Sara Wordsworth, Andrew Sherman; (Back Row)Jack Lechner, Andy Monroe, Robert Maggio, Diane Daltner, Nancy Golladay, Pat Cook, Doug Katsaros, Frank Evans, Dan Irsael, Ben H Winters, Robert Sislen, Chris Boal

The evening began with composer Brad Alexander and book writer/lyricist Adam Mathias’s See Rock City & Other Destinations, winner of the 2008 Richard Rodgers Award and 2007 BMI Foundation Jerry Bock Award. Anthony Rapp (Rent) and Jill Abramovitz (Martin Short: Fame Becomes Me) performed two songs from the show, followed by Jenifer Foote, currently in the Broadway revival of a Chorus Line, who performed the title song from BMI Foundation Harrington Award-winning writer Stephen Sislen and Ben H. Winters’ Room 16.

Pat Cook presents retirement award to Advanced Class moderator Richard Engquist.

The showcase continued with selections from The Dirty Hippie Jam Band Project, with a performances from Sandie Rosa and Bret Carr; Pleasantville, an adaptation from the film of the same title; The Kid, based on the book by Village Voice columnist Dan Savage; The Thing About Joe, with a performance of “Some Girls” by Kevin B. McGlynn; Shall We Dance, featuring an ensemble performance of “He Needs Me”; Drive, created by composer/lyricist Andy Monroe; China Doll Overdrive, with a performance from Workshop composer Adam Overett and Mick Bleyer; My Blue Heaven, created by composer Andy Karl and lyricist Diane Daltner; National Geographic, spawned from author Chris Boal and Grammy Award-winning composer Andrew Sherman; and The Suicide, with a performance of “Hold the Pity Pudding.”

Anthony Rapp performs “See Rock City”.

Pat Cook, artistic coordinator of the Workshop, presented an award to Richard Engquist on his retirement as the moderator of the Advanced Workshop. Engquist has been moderating the Second Year and Advanced classes for 25 years.

The finale of the showcase featured Anthony Rapp, star of the original cast of Rent, singing the title song from the BMI Foundation Jerry Bock Award-winning musical See Rock City.

Writers previously showcased include Best Musical Tony winners Robert Lopez and Jeff Marx (Avenue Q); Tony- and Pulitzer Prize-winning Edward Kleban (A Chorus Line); triple Tony Award winner Maury Yeston, (Nine, Titanic, Grand Hotel); eight-time Oscar-winner and nine-time Grammy-winner Alan Menken (The Little Mermaid, Little Shop of Horrors); Drama Desk winner Carol Hall (Best Little Whorehouse in Texas); Tony Award recipients Lynn Ahrens and Stephen Flaherty (Ragtime, Seussical); Tony and Grammy winners Judd Woldin and Robert Brittan (Raisin); Tony nominees Michael Korie and Scott Frankel (Grey Gardens; and Tony nominee Jeff Blumenkrantz (Urban Cowboy).

Mathias, a graduate of New York University and DePaul University, received praise for several of his compositions including the New York International Fringe Festival hit, The Passion of George W. Bush; the ingenious Desdemona Lives; and A Long Conversation. Adam is also a recipient of the Jerry Harrington Musical Theatre Award, which recognizes outstanding achievement in the BMI Lehman Engel Musical Theatre Workshop.

Alexander’s music has been featured at the Berkshire Theatre Festival, the New York International Fringe Festival, and VH1. His compositions include the music for Theatreworks USA’s Just So Stories and Lilly’s Big Day. Brad holds memberships with the BMI Lehman Engel Musical Theatre Workshop, the National Academy of Popular Music and the Dramatics Guild.

See Rock City is a collection of short musicals set at tourist destinations across the country, from Rock City, Georgia to Niagara Falls, stopping off at Coney Island, Route 66 and the Alamo. Each landmark introduces a new set of characters struggling to connect, to move past their fears and expectations in order to fully engage with each other. A young man searching for his place in the world believes his destination is written on the roofs of barns along the North Carolina Interstate. A young woman, afraid that she may be jumping too hastily into marriage, gets a helpful push from a mysterious tour guide. Two boys playing hooky from high school take the Q train to Coney Island only to find that the Spook House reveals greater fears than they ever expected. Every story stands alone, yet builds on its counterparts to create a complete evening of musical theatre.

The BMI Foundation, Inc. is a not-for-profit corporation founded in 1985 to support the creation, performance, and study of music through awards, scholarships, commissions and grants. Tax-deductible donations to the Foundation come primarily from songwriters, composers and publishers, BMI employees and members of the public with a special interest in music. Because both the Foundation staff and the distinguished members of the Advisory Panel serve without compensation, over 95% of all donations and income are used for charitable grants.