Often recognized by their trademark ties—Rob (yellow tie-vocals/guitar), Zubin (blue tie-vocals/bass), Ross (silver tie-percussion), Joe (red tie-vocals/guitar), and Andrew (green tie-vocals/keys)—Tally Hall began in 2002 when Andrew met Rob through friends. Andrew, the only member not originally from Michigan, began writing songs when he was eight years old and eventually headed to the University of Michigan to study composition. There he met Rob, who attended high school with Zubin and joined Joe's film production group. When Tally Hall's original drummer left the band, they recruited Ross, who went to high school with Joe.

While Andrew was the only member to study music formally, Rob and Joe proved accomplished songwriters with similar desires to start a band. They worried less about stylistic boundaries than about fulfilling their creative potential. Joe describes it this way: "We don't like the idea of limiting ourselves to one genre because there's no point in doing that. If a certain idea requires a certain sound then why limit ourselves?" Accordingly, Mechanical Museum is spacious, intimate, hilarious, serious; disparate and seamless all at once. It's the natural result of having three songwriters, four vocalists, and five capable musicians in one band, as well as their common interests in the The Beach Boys, Queen and more recent artists like Arcade Fire and Sufjan Stevens. "We listen to everything and we try to take ideas from different genres and broaden the span of what people perceive as rock music," says Andrew. "The song wouldn't be the same if all of us weren't involved."

Early on, Joe filmed a surreal music video for the calypso-tinged "Banana Man." The video appeared on the internet humor site Albino Black Sheep (www.albinoblacksheep.com), drawing new fans to the band's website. "We didn't really realize what was going on outside of Ann Arbor," says Ross. "Then our website started crashing each month from the bandwidth and it became obvious that there were people outside of Ann Arbor that were listening to the music." To date, the video has been downloaded over two million times.

Andrew's song "Good Day"—the first he wrote for the band—heralded further success for Tally Hall, as it was not only featured on Fox's hit series The O.C., but also won Andrew the BMI/John Lennon Songwriting Scholarship, and a meeting with Brian Wilson. "Good Day" introduces the band by traversing their broad stylistic spectrum within a few minutes. A concise opening piano gives way to momentary rock bombast, before dropping back into a verse newly adorned with expanded instrumentation. By the end of the song we've heard an interlude that would make Freddie Mercury sweat through his body suit and a gather-round-the-piano sing-along that references the Beatles without imitating them.

Tally Hall has appeared with OK Go, Nightmare of You, World Party, and Fastball, among others. This summer will provide more opportunities to catch the band's compelling live show, though they'll also be using the time to write new songs and get a handle on their devoted and obsessive fans. "We've had people travel halfway across the country to see our shows," says Andrew. "We just assume that most bands have their fair share of loyal followers. Ours are just a little more…proactive." With so many fans mulling over everything from song lyrics to which members are single, why the modesty? "In the end, if someone likes us because we are funny, then I think we have succeeded in a way. But, if someone appreciates us because they understand us, then I think we will be truly satisfied," Zubin explains. "We're not a band that has a lot of pretenses," says Rob. "As long as people like the music, that is the main thing we're concerned with, and whatever they take from it, at least they're taking something." Whatever it is that Tally Hall is giving, they've got enough to go around.

FOUR AWARDS
Red Hot Chili Peppers
Best Rock Performance by Duo or Group with Vocal
Best Rock Song
Best Rock Album
Best Boxed or Special Limited Edition Package

TWO AWARDS
George Benson
Best Pop Instrumental Performance
Best Traditional R&B Vocal Performance

Michael Brecker
Best Jazz Instrumental Solo
Best Large Jazz Ensemble Album

Chick Corea
Best Jazz Instrumental Album, Individual or Group
Best Instrumental Arrangement

The Flaming Lips
Best Rock Instrumental Performance
Best Engineered Album, Non-Classical

Kirk Franklin
Best Gospel Song
Best Contemporary R&B Gospel Album

Gnarls Barkley
Best Alternative Music Album
Best Urban/Alternative Performance

John Legend
Best Male R&B Vocal Performance
Best R&B Performance by a Duo or Group with Vocals

T.I.
Best Rap Solo Performance
Best Rap/Sung Collaboration

Carrie Underwood
Best New Artist
Best Female Country Vocal Performance

John Williams
Best Score Soundtrack Album
Best Instrumental Composition

OTHER WINNERS
Yolanda Adams
Best Gospel Performance

Pepe Aguilar
Best Mexican/Mexican-American Album

Christina Aguilera
Best Female Pop Vocal Performance

Chente Barrera y Taconazo
Best Tejano Album

The Black Eyed Peas
Best Pop Performance by Duo or Group with Vocal

Randy Brecker
Best Large Jazz Ensemble Album

T Bone Burnett
Best Compilation Soundtrack Album

Enya (PRS)
Best New Age Album

Peter Erskine
Best Large Jazz Ensemble Album

Béla Fleck & the Flecktones
Best Contemporary Jazz Album

Dave Fridmann
Best Engineered Album, Non-Classical

Bob Gaudio
Best Musical Show Album

Vince Gill
Best Male Country Vocal Performance

Osvaldo Golijov
Best Classical Contemporary Composition

Bill Harley
Best Spoken Word Album for Children

Van Hunt
Best R&B Performance by a Duo or Group with Vocals

Israel & New Breed
Best Traditional Gospel Album

Al Jarreau
Best Traditional R&B Vocal Performance

Klezmatics
Best Contemporary World Music Album

Krayzie Bone
Best Rap Performance by a Duo or Group

Will Lee
Best Large Jazz Ensemble Album

The Bryan Lynch/Eddie Palmieri Project
Best Latin Jazz Album

Maná
Best Latin Rock, Alternative or Urban Album

OK Go
Best Short Form Music Video

Joss Stone (PRS)
Best R&B Performance by a Duo or Group with Vocals

Jimmy Sturr and His Orchestra
Best Polka Album

Irma Thomas
Best Contemporary Blues

Los Tigres Del Norte
Best Norteño Album

Ike Turner
Best Traditional Blues Album

Julieta Venegas
Best Latin Pop Album

Doc Watson
Best Country Collaboration with Vocals

Pharrell Williams
Best Rap Song

Wolfmother (APRA)
Best Hard Rock Performance

OK Go tracks like “What To Do,” “Shortly Before the End” and “1000 Miles Per Hour” possess the bittersweet taste of real life. The band’s lyrical élan is aptly demonstrated on the band’s debut single, “Get Over It.” Over a stomping rhythm reminiscent of Queen’s 1979 classic “We Will Rock You,” singer/songwriter Damian Kulash takes jaded pop culture to task. To wit: “Oh, what a drag, what a chore/ Oh your wounds are full of salt/ Everything’s a stress and what’s more/ Well it’s all somebody’s fault.”

Apparently, OK Go’s literate approach has struck a chord. The band began drawing attention last August after being included on Electronic Arts’ “Madden NFL 2003” PlayStation2 game — a pioneering marketing move that has given OK Go valuable exposure among the legions of video game consumers. MTV.com featured the band in the “First Listen” section of its site. Then, weeks before the band’s album was even released, Conan O’Brien featured the group on his popular late night talk show — a tremendous vote of confidence for an unknown group.

OK Go’s story is every bit as charmed as their music. Kulash and bassist Tim Norwind met at summer camp when they were 11 and promptly formed a band called The Greased Ferrets that featured folding chairs played as drums. They met keyboardist/guitarist Andy Duncan in high school and drummer Dan Konopka in college, but somehow didn’t form into OK Go until 1999, even though they all believed that someday they’d play in a band together.

With the release of their Capitol Records debut album, OK Go looms as one of contemporary rock’s brightest hopes..