S O S
Evan Bogart
Edward Cobb
Jonathan "JR" Rotem
Embassy Music Corporation
Here's Lookin' At You Kidd Music
Jonathan Rotem Music
Reach Global Songs
Southside Independent Music Publishing LLC
Rihanna
SRP/Def Jam/IDJMG

SAVIN' ME
Daniel Adair (SOCAN)
Chad Kroeger (SOCAN)
Mike Kroeger (SOCAN)
Ryan Peake (SOCAN)
Warner-Tamerlane Publishing Corp.
Nickelback
Roadrunner/IDJMG Records

SHAKE IT OFF
Mariah Carey
Rye Songs
Songs of Universal, Inc.
Mariah Carey
Island Records

SHE SAYS
Howie Day
HKD Music
Howie Day
Epic Records

SO SICK
Ne-Yo
Super Sayin' Publishing
Zomba Songs
Ne-Yo
Def Jam/IDJMG

SOUL SURVIVOR
Young Jeezy
EMI-Blackwood Music, Inc.
Young Jeezy Music
Young Jeezy featuring Akon
Corporate Thugs/Def Jam Records

STICKWITU
Franne Golde
Kasia Livingston
Robert Palmer
Franne Gee Music
Myia’s Koala Bear Music Publishing
Notting Hill Music, Inc.
Parchi Music
Sony/ATV Songs LLC
Pussycat Dolls
A & M Records

SUGAR (GIMME SOME)
David Byrne
Trick Daddy
First and Gold Publishing
Warner-Tamerlane Publishing Corp.
Trick Daddy featuring Ludacris & Cee-Lo
Slip-N-Slide/Atlantic

SUGAR, WE'RE GOIN' DOWN
Andrew Hurley
Patrick Stump
Joe Trohman
Pete Wentz
Chicago X Softcore Songs
Sony/ATV Songs LLC
Fall Out Boy
IDJMG/Fueled By Ramen/Island

TALK
Karl Bartos (GEMA)
Warner-Tamerlane Publishing Corp.
Coldplay
Capitol Music Group

UNFAITHFUL
Ne-Yo
Super Sayin' Publishing
Zomba Songs
Rihanna
SRP/Def Jam/IDJMG

UNWRITTEN
Natasha Bedingfield (PRS)
Danielle Brisebois
EMI-Blackwood Music, Inc.
Gator Baby
Natasha Bedingfield
Epic Records

WALK AWAY
Kara DioGuardi
K'Stuff Publishing
Kelly Clarkson
RCA/RMG

WHAT HURTS THE MOST
Jeffrey Steele
Gottahaveable Music
Songs of Windswept Pacific
Rascal Flatts
Lyric Street

WHEN THE STARS GO BLUE
Ryan Adams
Barland Music
Tim McGraw
Curb Records

WHERE'D YOU GO
Mike Shinoda
Kenji Kobayashi Music
Zomba Songs
Fort Minor featuring Holly Brook & Jonah Matranga
Machine Shop/WB

YOU AND ME (2nd Award)
Jude Cole
Jason Wade
Dimensional Songs of the Knoll
G-Chills Music
Jude Cole Music
Warner-Tamerlane Publishing Corp.
Lifehouse
Geffen Records

YOU 'RE BEAUTIFUL
James Blunt (PRS)
Amanda Ghost (PRS)
Sacha Skarbek
David Platz Music, Inc.
EMI-Blackwood Music, Inc.
Universal-Songs of PolyGram International, Inc.
James Blunt
Atlantic Records

YOUR BODY
Bigg D
Marcus "Pleasure" Cooper
Jim Jonsin
Corey "Slick' Em" Mathis
Diamond "Baby Blue" Smith
Joseph "Blue" Smith
Spectacular Smith
Black Boy Hatchet Music
EMI-Blackwood Music, Inc.
Warner-Tamerlane Publishing Corp.
Pretty Ricky
Atlantic Records

	BMI Urban Awards Photo Slideshow
	BMI Urban Awards Song List
	Billboard No. 1s

Mariah Carey took home two of the night's top honors, including Song of the Year for her smash "We Belong Together" and Songwriter of the Year, which she shared with Miami-based producers Bigg D and Jim Jonsin. A highlight of the gala event was a special presentation to prolific songwriting and production team Kenneth "Babyface" Edmonds and Antonio "L.A." Reid, who were named BMI Icons for their "enduring influence on generations of music makers."

Mariah Carey	Babyface	L.A. Reid

Other big winners included rapper Kanye West, who earned the Producer of the Year title for the second consecutive year; Warner/Chappell Music Group, named Urban Publisher of the Year; and Jazze Pha's "1, 2 Step," which nabbed the BMI Urban Ringtone Award. Executives from music trade magazine Billboard were also on hand to give out No. 1 Awards to the BMI songs that reached the top spot on its urban music charts.

Bigg D	Jim Jonsin

Song of the Year "We Belong Together," which Carey co-wrote, ruled the top of multiple charts for months after its release in 2005, relaunching the five-octave singer's career back into superstardom. BMI writers Darnell Bristol, Sid "Uncle Jamz" Johnson, Patrick Moten, Sandra Sully, Bobby Womack and BMI Icon Babyface were also recognized with the Urban Awards' top song prize, as were the song's publishers - ABKCO, Ballads by Design, Hip Chic Music, Mister Johnson's Jams Music, Rye Songs, Songs of Universal, Sony/ATV and Warner-Tamerlane.

Kanye West	Jazze Pha

As the best-selling female performer of the 1990s, Carey stood apart by composing all her own material, and was twice before named Songwriter of the Year (1993 and 1999). She takes the top songwriter prize for the third time this year by placing three of her own hits on the most-performed list - "Don't Forget About Us," "Shake It Off" and "We Belong Together" - all from last year's comeback release, The Emancipation of Mimi. Carey, who also wrote 1992's Pop Song of the Year, "Love Takes Time," has a total of 23 BMI Awards and 15 "Million-Air" songs that have had one million or more broadcast performances.

Sharing the Urban Songwriter of the Year spotlight were producers Bigg D and Jim Jonsin, who also had three songs on the most-played list with the co-writes "Let's Go" by Trick Daddy (featuring Lil Jon & Twista), and Pretty Ricky's "Grind With Me" and "Your Body." Formerly known as the Unusual Suspects, this Dirty South production duo has been cranking out the hits, LPs, soundtracks and re-mixes for such heavy-hitters as Trick Daddy, Pretty Ricky, Trina, Jacki-O, Cee-Lo and Pitbull since 2000.

Multiple Grammy Award-winning songwriter/producers Babyface and L.A. Reid then took the stage to accept their BMI Icon honors. As co-founders of LaFace, the record label they started in 1989, the longtime writing partners are responsible for launching the careers of such multi-platinum artists as Toni Braxton, TLC, Usher and Pink. With a vast catalog of hits recorded by such A-listers as Madonna, Mary J. Blige, Celine Dion, Eric Clapton, Boyz II Men, Michael Jackson, Whitney Houston, Outkast, Dido, Ciara, Jay-Z and Songwriter of the Year Mariah Carey, songs penned by Babyface and L.A. have accumulated more than 40 million airplays on American radio and television.

In addition to his behind-the-scenes talent, Babyface has enjoyed his own success as a recording artist, with 11 albums that have produced more than 15 Top 10 hits. He has been named BMI Songwriter of the Year a record seven times (90, 91, 92, 95, 96, 97, 98), more than any other pop writer in the history of the company. They add to the more than 50 BMI Awards displayed on his trophy shelf, which now features his first Urban Award and his third Song of the Year Crystal received tonight as co-writer of "We Belong Together." His other Song of the Year awards include Toni Braxton's "Breathe Again" (1995) and Boyz II Men's "I'll Make Love to You" (1996). This year's top song win ties him with the Bee Gees as writer of the most Pop Songs of the Year.

With his exceptional ability to spot and develop new talent, L.A. Reid is currently Chairman of the Island Def Jam Music Group. He also served as President & CEO of Arista Records from 2000 to 2004, and is president of his own publishing company, Hitco Music, which tonight earned a pair of BMI Urban Awards for the Chris Brown smash "Run It!" and Fantasia's No. 1 hit "Truth Is." The 18-time BMI Award-winning hitmaker, who in 1990 shared the Pop Songwriter of the Year spotlight with fellow BMI Icon Babyface, most recently guided the release of Mariah Carey's Mimi CD, the mega-selling album that spawned this year's Song of the Year.

BMI Producer of the Year honors went to Kanye West for the second year in a row for logging the most producer credits on charting songs. The BMI Top Urban Producers list also included Mr. Collipark, Pharrell Williams, Lil Jon, R. Kelly, Sean Garrett, Jazze Pha, Cool & Dre, Rodney Jerkins, and Songwriters of the Year Bigg D and Jim Jonsin.

Top producers Sean Garrett, Lil Jon and Andre "Dre" Lyon also made the list of double winners, picking up two BMI Urban Awards apiece, as did The Game and Pretty Ricky members Marcus "Pleasure" Cooper, Corey "Slick'Em" Mathis, Diamond "Baby Blue" Smith, Joseph "Blue" Smith and Spectacular Smith.

Warner/Chappell Music Group was named BMI Urban Publisher of the Year by scoring the highest percentage of copyright ownership in award songs (through its companies Unichappell Music, Inc. and Warner-Tamerlane Publishing Corp.). This is the twelfth BMI Publisher Crystal for Warner/Chappell, which boasted eight songs on the most-performed list, including Song of the Year "We Belong Together" and Ringtone Award winner "1, 2 Step."

Other publishers recognized for multiple award-winning songs were Black Boy Hatchet Music, Dade Co. Project Music, Inc., Dimensional Songs of the Knoll, EMI-Blackwood Music, Inc., Ensign Music LLC, Hitco Music, Jimi Mac Music/OG Music, Rye Songs, Songs of TVT, Sony/ATV Songs LLC, Universal Music Publishing (Irving Music/Songs of Universal, Inc.) and Zomba Songs.

"1, 2 Step," written by BMI Top 10 Urban Producer Jazze Pha and published by Bubba Gee Music, Noontime Tunes and Warner-Tamerlane Publishing Corp., received the BMI Urban Ringtone Award for tallying the most downloads during the award period. The Ciara hit was also named BMI's very first Internet Song of the Year at the 2006 Pop Awards.

In addition to the BMI performance awards, Billboard recognized the BMI-affiliated writers whose songs reached No. 1 on the R&B/Hip-Hop Songs, Hot Rap Tracks, Hot R&B/Hip-Hop Airplay and Hot 100 charts during the past year. Kanye West's "Gold Digger," featuring Jamie Foxx and writing credits by Renald Richard and the late Ray Charles, topped all four charts.]]> 2006-08-30T05:00:00-05:00 http://www.bmi.com/musicworld/entry/334711 Artists, Lil Jon, Pretty Ricky, Trick Daddy, Musical Styles, Urban, Musicworld, Hitmaker Pretty Ricky gives an entirely new meaning to the phrase “band of brothers.” Under the direction of their disciplinarian dad, the four siblings began as dancers clad in sparkling outfits. Visual and physical antics propelled them into local stardom, and the boys began wondering if they had a shot at the big time.

They did.

After aggressively promoting themselves throughout the southeast since 1997, the Miami natives saw their first breakthrough in 2002. That was the year Pretty Ricky — composed of rappers Slick ’Em, Baby Blue and Spectacular plus singer Pleasure — stormed Miami’s Power 96 with their single “Flossin.” Almost overnight, a female fan base developed, feverishly requesting their song.

In 2004, Pretty Ricky struck again with “Grind with Me,” a woozy, sexually-charged slow jam featuring lightning-fast raps. “We want to be trendsetters,” says Baby Blue. “Everything somebody is doing, we try and go against the grain and do something else just to be different.” Their uniqueness worked: Again, women phoned Power 96 demanding the song and it became the most requested song in the station’s history.

Pretty Ricky’s fate was sealed that December when Atlantic Records Co-Chairman/COO Craig Kallman was in Miami. He saw hysteria erupt at their live show, and hosted an impromptu hotel room audition. Their dad’s work paid off: “They shook on it right there,” Spectacular says.

Pretty Ricky has opened for Run-DMC and Lil Jon, as well as Miami neighbors Trick Daddy, Trina and Pitbull. Their debut album, Bluestars, is a signature blend of crooning and spit-fire raps, and saw two singles, “Grind With Me” and “Your Body,” hit the Top 50 on the Billboard pop chart. The group also snagged an American Music Awards nomination for Favorite R&B/Soul Band Duo or Group.
Already the South’s hottest new sensation, they’re likely a hit at the family reunion too.]]> 2006-03-09T17:00:00-05:00 http://www.bmi.com/musicworld/entry/533084 Artists, Lil Jon, Pretty Ricky, Trick Daddy, Musical Styles, Urban, Musicworld, Hitmaker Pretty Ricky gives an entirely new meaning to the phrase “band of brothers.” Under the direction of their disciplinarian dad, the four siblings began as dancers clad in sparkling outfits. Visual and physical antics propelled them into local stardom, and the boys began wondering if they had a shot at the big time.

They did.

After aggressively promoting themselves throughout the southeast since 1997, the Miami natives saw their first breakthrough in 2002. That was the year Pretty Ricky — composed of rappers Slick ’Em, Baby Blue and Spectacular plus singer Pleasure — stormed Miami’s Power 96 with their single “Flossin.” Almost overnight, a female fan base developed, feverishly requesting their song.

In 2004, Pretty Ricky struck again with “Grind with Me,” a woozy, sexually-charged slow jam featuring lightning-fast raps. “We want to be trendsetters,” says Baby Blue. “Everything somebody is doing, we try and go against the grain and do something else just to be different.” Their uniqueness worked: Again, women phoned Power 96 demanding the song and it became the most requested song in the station’s history.

Pretty Ricky’s fate was sealed that December when Atlantic Records Co-Chairman/COO Craig Kallman was in Miami. He saw hysteria erupt at their Live show, and hosted an impromptu hotel room audition. Their dad’s work paid off: “They shook on it right there,” Spectacular says.

Pretty Ricky has opened for Run-DMC and Lil Jon, as well as Miami neighbors Trick Daddy, Trina and Pitbull. Their debut album, Bluestars, is a signature blend of crooning and spit-fire raps, and saw two singles, “Grind With Me” and “Your Body,” hit the Top 50 on the Billboard pop chart. The group also snagged an American Music Awards nomination for Favorite R&B/Soul Band Duo or Group.

Already the South’s hottest new sensation, they’re likely a hit at the family reunion too.

Pictured after an Atlantic Records showcase are artist/songwriter Trey Songz, BMI's Wardell Malloy and producer Troy Taylor

A talented R&B artist and accomplished songwriter, Trey Songz got his start in Petersburg, VA at age 15, when he met his producer and mentor, Troy Taylor. Impressed by an a cappella version of "All The Things I Do," a song Trey himself had written, Taylor urged Trey to get serious. To date, Trey has written and co-produced for labelmate Kevin Lyttle's self-titled debut, sings solo on "About The Game" from Coach Carter: Music From The Motion Picture, and is featured on "Ain't A Thug," on Trick Daddy's latest album, Thug Matrimony. Trey co-wrote and guests on the tracks "I Know" and "Line of Fire" from Juvenile's upcoming album, and will collaborate with Lil Kim, Trina, and Snoop Dogg on their forthcoming projects.

Taylor was born and bred in suburban New Haven, Connecticut, into a family of talented musicians, resulting in his exposure to music at a very early age. He started by singing in local talent shows and then moved on to playing keyboards and learning how to listen and understand music. Taylor's ear for music and his natural ability to gain people's attention enabled him to make great strides in his career. As an entrepreneur, Taylor formed his own production company, Songbook Entertainment, several years ago. With a discography full of platinum hits, he has worked with such artists as Aretha Franklin, Whitney Houston, B2K, Ginuwine, Patti Labelle, Omarion, Kevin Lyttle, Glenn Lewis, The Mighty O-Jay's, Take 6, SWV, 702, Brownstone, Johnny Gill, and Stevie Wonder to name a few.

Delineating the thug life is Trick's musical mission, taking the template of gangsta rap and kicking it up another notch via graphically realistic tales of street life in his native Miami. Thugs Are Us emerges as an impressively eclectic mix of styles, from the no-holds-barred anthem "I'm a Thug" to the slow-burning "Where U From," with high-energy workout "Take It To Da House" and the straightforward "N Word" helping to complete the picture.

Trick first entered the spotlight as Trick Daddy Dollars, a featured rapper on "Scarred," a 1996 track by Luke Campbell of 2 Live Crew. A year later he delivered his solo debut album, Based On a True Story, recently reissued by Atlantic, in conjunction with the Slip-N-Slide/Atlantic release of Thugs Are Us.

Trick followed that effort with 1998's hard-hitting, gold-certified WWW.THUG.COM, and produced a double whammy in 2000 with the inclusion of that album's track "Shut Up" on the Any Given Sunday soundtrack and with his own Book of Thugs Chapter A.K., Verse 47 album, which also went gold.

The new release features a grab-bag of some of hip-hop's hottest producers - including Righteous Funk Boogie and Roc - as well as such stellar musical talent as Duece Poppi and Tre+6. Throughout, Trick's uncompromising talent shines through.

"Being a thug is being in control," he says, "having your own mind, and doing what you want to do." As Thugs Are Us heads past gold and towards platinum, it seems that Trick Daddy is one thug who's doing just that.

By Rob Patterson

From the dawning days of rhythm & blues through today's multifaceted urban music scene, BMI has been at the forefront of music from the African American tradition, styles and community. A continuity of teamwork between BMI and Black music-makers extends from Aretha Franklin to Janet Jackson, from Motown hitmakers Eddie Holland, Lamont Dozier & Brian Holland to R. Kelly, and from Miles Davis to Terence Blanchard.

B.B. King

Busta Rhymes

Janet Jackson

Eminem

When r&b, in its formative years, was the province of budding independent labels, small publishers, and adventurous radio stations, BMI opened its ranks to the musical movement when the existing performing rights organization failed to recognize the legitimacy and potential brewing in Black American music. The considerable fact that 90 percent of the R&B Foundation's Pioneer Awards have been bestowed on BMI artists attests to BMI's historical commitment to Black music.

Eric Benet

Macy Gray

Mariah Carey

Michael Jackson

The BMI Black music rosters reads like a musical honor role: Jazz giants such as Billie Holiday, Thelonious Monk, Charlie Parker, Dinah Washington and John Coltrane; blues icons like Leadbelly, Muddy Waters, B.B. King and T-Bone Walker; r&b pacesetters such as Ray Charles, Fats Domino and James Brown; soul sisters Etta James, Irma Thomas and Diana Ross; rock pioneers like Chuck Berry and Little Richard.

Mya

R. Kelly

Snoop Dogg

Toni Braxton

The BMI bloodlines can be traced from then to now, from Carla Thomas to Donna Summer to Vanessa Williams, from Kenneth Gamble & Leon Huff to LA Reid and Babyface, from Otis Redding to Michael Jackson. And if you check this space 20 or 30 years from now, the odds say its likely that BMI's contemporary urban music artists will be just as legendary and influential as those BMI has represented throughout the history of Black popular music in America.

In a sense, the pages have already been written by today's BMI star talents. Mariah Carey has proven herself a formidable and enduring presence in popular music, while Macy Gray is arising to help bring soul back to its rightful place of presence in urban music. Kevin Eubanks delivers sublime new variations of the jazz guitar heritage to millions on The Tonight Show, and Joshua Redman redefines the notion of young jazz giant for a new millennium. Snoop Dogg, Eminem and Lil' Kim continue to push the hip-hop envelope, while Kirk Franklin and Winans Phase 2 keep the gospel spirit alive.

But it's not just the marquee names that make these exciting times for BMI's urban music roster. And even some of BMI's team whose work happens primarily behind the scenes are earning public note on the level of the artists they work with. Producer, songwriter, keyboardist and remixer Dallas Austin launched Monica and TLC, and counts Michael Jackson, Madonna, Boyz II Men and Aretha Franklin among his credits. Such musical versatility and vision continues with such recording and writing powerhouses as Jerry 'Wonder' Duplessis, Master P, Tim & Bob, SoulShock & Karlin, Jean Claude 'Poke' Olivier of The Track Masters, Organized Noise, Teddy Bishop and Cory Rooney - all drawing from a differing wealth of musical wells and creating new and innovative musical moments.

Hip-hop remains a powerfully progressive and sometimes provocative movement in modern popular music. Jay-Z, Busta Rhymes and Goodie Mob keep it real, and the beats and themes will surely remain hard in the hands of such acts as Lord Tariq & Peter Gunz, Ja Rule, Mos Def, Trick Daddy, Silkk the Shocker, JT Money, Kurupt and J-Shin. At the same time, acts like The Roots, Black Eyed Peas, Talib Kweli & Hi-Tek and Spooks infuse a rich mixture of styles into the hip-hop genre. Once the sound of the street, just as r&b had been, hip-hop is now an integral part of contemporary culture. And its Caribbean cousin dancehall is also claiming the attention of the public ear thanks to Buju Banton.

R&B has always boasted its powerful cadre of female singers. And just as Carla Thomas, Martha Reeves and Jodi Whatley established their voices as trademarks, so have the women like Brandy, Toni Braxton and Faith Evans. Rising to join them are such soul sisters as Angie Stone, Mya, Sunshine Anderson and Aaliyah, while R&B brothers such as Eric Benet and Pharrell Williams of The Neptunes stir up new soul traditions for today's urban music fans as Clyde McPhatter, Sam Moore and Aaron Neville have before them. The girl group traditions forged by The Shirelles and The Supremes find modern expression in the "new jill flava" of Total.

As the recent Ken Burns documentary demonstrated, jazz is one of the richest skeins in the American cultural tapestry. BMI has been a consistent presence in jazz, from Lionel Hampton to Coleman Hawkins to Herbie Hancock to Roy Hargrove. Today, Terence Blanchard, Christian McBride, Kevin Eubanks and Bilal maintain the instrumental and compositional greatness of jazz music for the genre's future.

Spirituals have always been an essential element in Black music and BMI's mission, thanks to everyone from James Ingram to The Fairfield Four. And perhaps nobody has had a more profound impact on contemporary music and the popularity of spiritual sounds than minister, songwriter, producer and visionary Kirk Franklin. In the past, one could make similar claims for The Winans, and the family tradition forged there is carried on by Winans Phase 2. The ears reached by these artists are now opening as well to such rising talents as Yolanda Adams and Trin-i-tee 5:7.

Such diversity, commercial impact, innovation and encouragement of burgeoning styles and new artists has been a hallmark of BMI's commitment to Black music from the time that "race music" became rhythm & blues, and on through soul, funk and disco right up to rap and new jack swing. As BMI salutes tradition through its longtime support of the R&B Foundation, it also helps create the future that is urban music in all its breadth and creativity. Because at BMI, Black Music Month is celebrated 12 months a year.