| May 1 2012 | (More) Successful Strategies for Studio Singers |
| Apr 27 2012 | Seeking Songwriting Success: Three Ways Follow-Through Pays Off |
| Apr 12 2012 | Importance of Performance Royalties Highlighted in FMC’s Artist Revenue Streams Project |
| Mar 27 2012 | Five Myths about Achieving Success as a Songwriter |
| Mar 14 2012 | Let It Bleed: Learning to Love Leakage |
| Mar 7 2012 | Play Live, Get Paid: BMI Live Pays Performing Songwriters for Gigs |
| Feb 27 2012 | Six Things To Do When Your Song Is Finished |
| Feb 27 2012 | Congress Passes Bill Standardizing Airline Rules for Musical Instrument Storage |
| Jan 31 2012 | Three Good Reasons To Love Your Songs |
| Jan 12 2012 | In Praise of “Modular” Recording |
| Nov 30 2011 | Three Reasons To Be Thankful You’re a Songwriter |
| Oct 31 2011 | Four Things You Can Do To Improve Your Odds in Film/TV Song Placements |
| Oct 20 2011 | 15 Years and Going Strong: BMI Songwriters Workshop with Jason Blume |
| Oct 10 2011 | Mark Neill on the Making of the Black Keys’ ‘Brothers’ |
| Sep 28 2011 | Five Things Songwriters Can Do To Move Their Careers Forward |
| Sep 2 2011 | Good, Fast, Cheap: Pick Any Two |
| Jul 29 2011 | Four Reasons It Pays for Songwriters To Be Patient |
| Jul 18 2011 | 10 Rules for Running a Successful Recording Session |
| Jun 28 2011 | The Dos and Don’ts of Co-Writing |
| Jun 6 2011 | Five (More) Essentials for Home Studio Recording |
| Apr 20 2011 | Five Mistakes Songwriters Make Before Demoing Their Songs (and how to avoid them) |
| Mar 23 2011 | Using Modeling Amps in the Studio: Pros & Cons |
| Mar 16 2011 | What To Do Before You Go into The Studio To Record Your Indie Album |
| Mar 1 2011 | Taking Notes From Neeks: Creating Spontaneity in the Studio |
| Jan 19 2011 | Viral Marketing – What’s Really “Real” About It? |
| Jan 11 2011 | New ‘BMI Live’ Program Allows Performing Songwriters To Register Live Concerts for Royalty Payments |
| Dec 16 2010 | The Value of a Good Mix |
| Dec 8 2010 | Revamping Through Reamping |
| Nov 22 2010 | Heard But Not Seen: How Indie Songwriters Can Make It Big On-Screen |
| Nov 3 2010 | Catch a Glimpse of the Future of Music Rights: View Videos from the Inaugural ‘Content, Copyright & Commerce’ Symposium |
| Oct 18 2010 | Five Ways To Finish That Song You’ve Been Working on Forever |
| Oct 8 2010 | Getting Permission to Use Copyrighted Texts in Musical Works |
| Oct 5 2010 | Thinking Visual, Part 2 |
| Sep 23 2010 | Why You Should Consider Using a Professional Recording Studio |
| Sep 21 2010 | Tuners, Multi-Track & Guitar Pedal Apps: Going Mobile |
| Sep 10 2010 | Thinking Visual, Part 1 |
| Aug 25 2010 | Composing for Orchestras and Other Ensembles, Part 2: Doing the Deal |
| Aug 19 2010 | Piano Primer: The Keys To Quality Keyboard Recording |
| Jul 29 2010 | Composing for Orchestras and Other Ensembles, Part 1: Getting the Gig |
| Jul 14 2010 | The Benefits of Stripping Down Your Song Demos |
| Jun 29 2010 | Takes From the Top: Recording Simon & Garfunkel’s ‘The Sounds of Silence’ |
| Jun 11 2010 | Guitar Recording Tricks: How to Get Natural Distortion |
| May 25 2010 | The Pros & Cons of Signing a Publishing Deal |
| May 13 2010 | Organizing Principles for the Home Studio |
| Apr 30 2010 | Social Networking Your Songs, Pt. 3 |
| Apr 13 2010 | Bass Notes |
| Mar 29 2010 | © C in a Circle - When The Taxman Cometh |
| Mar 15 2010 | The DIY Guide to Submitting Your Songs to Anyone in the Music Industry |
| Feb 22 2010 | Recording Software Update |
| Feb 12 2010 | Takes from the Top: The Kinks’ Muswell Hillbillies |
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