Advice Archives

May 22 2013 7 Ways to Get an Artist to Cut Your Song
Apr 16 2013 10 Foolproof Ways to Critique Your Own Songs
Mar 19 2013 How To Use Recording Effects Effectively
Mar 19 2013 Five Career-Endangering Mistakes for Songwriters (And How To Avoid Them)
Jan 14 2013 A look at Taylor Swift’s “State of Grace”
Jan 14 2013 Six Ways To See If Your Song Is Ready To Demo
Dec 11 2012 6 Ways Simplicity Trumps Technology in the Studio
Dec 11 2012 What a Producer Does and Why You Should Consider Using One
Nov 20 2012 Four Ways to Avoid Music Submission Mistakes
Oct 8 2012 Opening Up: Effective Ways to Begin Your Next Song
Sep 5 2012 I Hate My Drum Sound. Please Help Me Fix It.
Sep 5 2012 Four Reasons Talent Isn’t Enough
Jul 31 2012 BMI Songwriter Blog: How to Make Your Album Release an Event
Jul 30 2012 Mix & Match: Accounting for Different Media in Your Mix
Jul 27 2012 Three Things to Do Before Your First Publisher Meeting
Jun 25 2012 Six Ways Songwriters Can Motivate Themselves To Write
Jun 1 2012 Four Quick Fixes for Your Songs
May 17 2012 Takes from the Top: Recording Simon & Garfunkel’s ‘The Boxer’
May 1 2012 (More) Successful Strategies for Studio Singers
Apr 27 2012 Seeking Songwriting Success: Three Ways Follow-Through Pays Off
Apr 12 2012 Importance of Performance Royalties Highlighted in FMC’s Artist Revenue Streams Project
Mar 27 2012 Five Myths about Achieving Success as a Songwriter
Mar 14 2012 Let It Bleed: Learning to Love Leakage
Mar 7 2012 Play Live, Get Paid: BMI Live Pays Performing Songwriters for Gigs
Feb 27 2012 Six Things To Do When Your Song Is Finished
Feb 27 2012 Congress Passes Bill Standardizing Airline Rules for Musical Instrument Storage
Jan 31 2012 Three Good Reasons To Love Your Songs
Jan 12 2012 In Praise of “Modular” Recording
Nov 30 2011 Three Reasons To Be Thankful You’re a Songwriter
Oct 31 2011 Four Things You Can Do To Improve Your Odds in Film/TV Song Placements
Oct 20 2011 15 Years and Going Strong: BMI Songwriters Workshop with Jason Blume
Oct 10 2011 Mark Neill on the Making of the Black Keys’ ‘Brothers’
Sep 28 2011 Five Things Songwriters Can Do To Move Their Careers Forward
Sep 2 2011 Good, Fast, Cheap: Pick Any Two
Jul 29 2011 Four Reasons It Pays for Songwriters To Be Patient
Jul 18 2011 10 Rules for Running a Successful Recording Session
Jun 28 2011 The Dos and Don’ts of Co-Writing
Jun 6 2011 Five (More) Essentials for Home Studio Recording
Apr 20 2011 Five Mistakes Songwriters Make Before Demoing Their Songs (and how to avoid them)
Mar 23 2011 Using Modeling Amps in the Studio: Pros & Cons
Mar 16 2011 What To Do Before You Go into The Studio To Record Your Indie Album
Mar 1 2011 Taking Notes From Neeks: Creating Spontaneity in the Studio
Jan 19 2011 Viral Marketing – What’s Really “Real” About It?
Jan 11 2011 New ‘BMI Live’ Program Allows Performing Songwriters To Register Live Concerts for Royalty Payments
Dec 16 2010 The Value of a Good Mix
Dec 8 2010 Revamping Through Reamping
Nov 22 2010 Heard But Not Seen: How Indie Songwriters Can Make It Big On-Screen
Nov 3 2010 Catch a Glimpse of the Future of Music Rights: View Videos from the Inaugural ‘Content, Copyright & Commerce’ Symposium
Oct 18 2010 Five Ways To Finish That Song You’ve Been Working on Forever
Oct 8 2010 Getting Permission to Use Copyrighted Texts in Musical Works
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